Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi's 'Le maçon, S. 13 (Excerpts): Entr'acte to Act III' came out on December 13, 2019. With Le maçon, S. 13 (Excerpts): Entr'acte to Act III being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 16 in Auber: Overtures & Other Works by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Le maçon, S. 13 (Excerpts): Entr'acte to Act III is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le maçon, S. 13 (Excerpts): Entr'acte to Act III by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jolantha, Königin von Jerusalem, Act II: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Minor | 3 | 5A | 105 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": II. Purgatorio: Poco a poco piu di molto - | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | E Minor | 7 | 9A | 125 BPM | ||
Violin Concerto No. 6 in A Major, Op. 70: II. Allegretto | Charles-Auguste de Bériot, Ayana Tsuji, Czech Philharmonic Chamber Orchestra, Michael Halasz | A Major | 2 | 11B | 73 BPM | ||
Old Norwegian Romance, Op. 51: Tempo di Valse | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 75 BPM | ||
小序曲 (「くるみ割り人形」より) | Václav Neumann, Czech Philharmonic Chamber Orchestra | G Major | 2 | 9B | 75 BPM | ||
Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Minor | 1 | 8A | 116 BPM | ||
Serenade for Winds in D Minor, Op. 44: III. Andante con Moto | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | E Minor | 1 | 9A | 62 BPM | ||
Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM |
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