Fritz Wunderlich, Alois Melichar made "Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied)" available on January 21, 1985. With this song being about 5 minutes long, at 4:53, "Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied)" by Fritz Wunderlich, Alois Melichar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 5 in Fritz Wunderlich - Die unvergessene Stimme by Fritz Wunderlich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied) by Fritz Wunderlich, Alois Melichar is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Mahler: Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 72 BPM | ||
6 Lieder, Op. 50: No. 2. Der Jager Abschied | Felix Mendelssohn, Berlin Radio Chorus, male section, Dietrich Knothe | E♭ Major | 1 | 5B | 137 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Die Fledermaus: Act III: Finale: O Fledermaus, o Fledermaus (Rosalinde, Adele, Ida, Orlofsky) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Sabine Kallhammer, Natascha Petrinsky, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 3 | 10B | 123 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act I: "Ihr Schmerzen, ihr Tränen" | Wolfgang Amadeus Mozart, Rolf Boysen, Friedrich Lenz, Fritz Wunderlich, Kurt Böhme | G Major | 6 | 9B | 73 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
Der Zarewitsch: Wolgalied | Franz Lehár, Fritz Wunderlich, Deutsches Symphonie-Orchester Berlin, Alois Melichar | G Major | 2 | 9B | 171 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | D Major | 1 | 10B | 87 BPM |
Section: 1.0108857154846191
End: 1.0235822200775146