Albert Lortzing, Heinz Fricke, Muenchner Rundfunkorchester, Munich Radio Orchestra, Münchner Rundfunkorchester/Heinz Fricke made "Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog" available on July 13, 1988. The duration of Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zar und Zimmermann - Komische Oper in drei Aufzügen [Gesamtaufnahme in deutscher Sprache] by Albert Lortzing, Heinz Fricke, Munich Radio Orchestra. The song's track number on the album is #2 out of 36 tracks. Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog by Albert Lortzing, Heinz Fricke, Muenchner Rundfunkorchester, Munich Radio Orchestra, Münchner Rundfunkorchester/Heinz Fricke has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tsar And Carpenter: Hoch Lebe Die Freude: Hoch Lebe Die Freude | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Albert Lortzing | D Major | 2 | 10B | 126 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act II Scene 1: Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 113 BPM | ||
Fausto, Ouverture | Louise Bertin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Gavotte | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM | ||
Symphony No. 97 in C Major, Hob. I:97: III. Minuet. Allegretto - Trio | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | A♭ Major | 5 | 4B | 132 BPM | ||
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Die erste Walpurgisnacht, Op. 60: So weit gebracht, dass wir bei Nacht (Baritone, Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Siegfried Lorenz | C Major | 3 | 8B | 83 BPM |
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