"Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo" by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations was released on December 22, 2023. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 27 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Symphonic Mass: II. Gloria | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
Requiem, Op. 48: VI. Libera Me | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, James Morris | G Minor | 1 | 6A | 69 BPM | ||
Beethoven: Mass in C Major, Op. 86: II. Gloria (Allegro con brio - Andante mosso) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Il natal d'Apollo: Ove son? Qual'aure io spiro (Erifle) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 106 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Euch werde Lohn in bessern Welten | Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM |
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