"Symphonie n°9 en mi mineur, Op. 95 du nouveau monde: Molto vivace" by Antonín Dvořák, Slovak Philharmonic, Kurt Redel was released on 1994. Since Symphonie n°9 en mi mineur, Op. 95 du nouveau monde: Molto vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 5 in Dvorak : Symphonie du nouveau monde smetana : La moldau by Antonín Dvořák, Slovak Philharmonic, Kurt Redel. In terms of popularity, Symphonie n°9 en mi mineur, Op. 95 du nouveau monde: Molto vivace is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie n°9 en mi mineur, Op. 95 du nouveau monde: Molto vivace by Antonín Dvořák, Slovak Philharmonic, Kurt Redel is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Eldar Nebolsin | G Minor | 2 | 6A | 114 BPM | ||
Etude en mi bémol mineur | Sergei Rachmaninoff, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | E♭ Minor | 2 | 2A | 65 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | Frédéric Chopin, Martha Argerich | D Major | 7 | 10B | 172 BPM | ||
Guillaume Tell: Ouverture | Massimo Campigli, Orchestra Del Teatro Alla Scala, Milano | E Major | 7 | 12B | 164 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise | Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman | C Major | 1 | 8B | 113 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | E Minor | 0 | 9A | 121 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto | Johannes Brahms, Tal & Groethuysen | G Minor | 1 | 6A | 70 BPM |
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