"Etude en mi bémol mineur" by Sergei Rachmaninoff, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic was released on 1995. With this song being about 5 minutes long, at 4:59, "Etude en mi bémol mineur" by Sergei Rachmaninoff, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic's "Les grands classiques de Mozart à Beethoven" album is number 4 out of 12. On top of that, France appears to be the country where this track was created. Etude en mi bémol mineur is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Etude en mi bémol mineur by Sergei Rachmaninoff, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: 2. Intermezzo. Adagio - Live | Sergei Rachmaninoff, Martha Argerich, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | A♭ Major | 1 | 4B | 84 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Scott Kluksdahl, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM |
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