Johannes Brahms, Tal & Groethuysen's '21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto' came out on 1993. The duration of 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 37 in Brahms: Hungarian Dances No. 1-21; Waltzes, Op. 39 for Piano for Four Hands by Johannes Brahms, Tal & Groethuysen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto by Johannes Brahms, Tal & Groethuysen is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Two Songs, Op. 91: Geistliches Wiegenlied | Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane | F Major | 1 | 7B | 90 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto | Johannes Brahms, Tal & Groethuysen | G Minor | 1 | 6A | 70 BPM | ||
3 Intermezzos, Op. 117: No. 2. Intermezzo in B-Flat Minor: Andante non troppo e con molto espressione | Johannes Brahms, Luba Edlina | D♭ Major | 0 | 3B | 68 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo, allegro spirituoso | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | D Major | 1 | 10B | 103 BPM | ||
Fauré: Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Jean-Philippe Collard | A Major | 1 | 11B | 172 BPM |
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