Massimo Campigli, Orchestra Del Teatro Alla Scala, Milano made "Guillaume Tell: Ouverture" available on August 27, 2016. The duration of Guillaume Tell: Ouverture is about 3 minutes long, at 3:15. Based on our data, "Guillaume Tell: Ouverture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in 165 oeuvres incontournables de musique classique, Connaître ses classiques's "Le meilleur des grands thèmes symphoniques" album is number 9 out of 12. The popularity of Guillaume Tell: Ouverture is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Guillaume Tell: Ouverture by Massimo Campigli, Orchestra Del Teatro Alla Scala, Milano to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: Marche hongroise | Hector Berlioz, John Nelson, Orchestre Philharmonique De Strasbourg | E Minor | 2 | 9A | 93 BPM | ||
Military March No. 1 in D Major, Op. 39 "Pomp & Circumstance" | Edward Elgar, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 2 | 10B | 118 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Cyrano De Bergerac - From "Cyrano De Bergerac" | The City of Prague Philharmonic Orchestra | G Major | 3 | 9B | 74 BPM | ||
Ponchielli: La Gioconda, Act 2: "Sì! morir ella de'!" (Alvise) | Amilcare Ponchielli, Ivo Vinco, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Rhapsody In Blue: Rhapsody In Blue - Excerpt | George Gershwin, James Levine, Chicago Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM |
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