On 1982, the song "Il Barbiere di Siviglia: Overture - Highlights" was released by Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano. Since Il Barbiere di Siviglia: Overture - Highlights is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 42 in the song's album "Rossini: Il barbiere di Siviglia - The Sony Opera House". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Il Barbiere di Siviglia: Overture - Highlights is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Il Barbiere di Siviglia: Overture - Highlights by Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Il Barbiere di Siviglia: Overture | Gioachino Rossini, London Classical Players, Sir Roger Norrington | E Major | 1 | 12B | 96 BPM | ||
La damnation de Faust, Op. 24, Pt. I Scene 3: Hungarian March, "Rákóczy March" | Hector Berlioz, Marie-Ange Todorovitch, Michael Myers, Alain Vernhes, René Schirrer, Jan Rozehnal, Philippe Gerard, Slovak Philharmonic Choir, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 2 | 7B | 129 BPM | ||
The Barber of Seville, Act 1: "Largo al factotum" | Gioachino Rossini, Cesare Sterbini, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Andrew Greene, Guy Noble | B Major | 7 | 1B | 108 BPM | ||
Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | A Major | 1 | 11B | 111 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Lohengrin, WWV 75 / Act III: Prelude to Act III | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Leichte Kavallerie: Overture | Franz von Suppé, Munich Radio Orchestra, Ivan Repušić | E Major | 3 | 12B | 128 BPM |
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