"The Barber of Seville, Act 1: "Largo al factotum"" by Gioachino Rossini, Cesare Sterbini, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Andrew Greene, Guy Noble was released on August 21, 2015. With this song being about 5 minutes long, at 4:56, "The Barber of Seville, Act 1: "Largo al factotum"" by Gioachino Rossini, Cesare Sterbini, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Andrew Greene, Guy Noble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 14 in From Broadway to La Scala by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, The Barber of Seville, Act 1: "Largo al factotum" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Barber of Seville, Act 1: "Largo al factotum" by Gioachino Rossini, Cesare Sterbini, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Andrew Greene, Guy Noble is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina! | Gioachino Rossini, Serena Farnocchia, Mert Süngü, Veronica Marini, Mara Gaudenzi, Cracow Philharmonic Orchestra, Antonino Fogliani, Patrick Kabongo Mubenga | E Major | 7 | 12B | 119 BPM | ||
La scala di seta: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | C Major | 1 | 8B | 135 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM |
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