Luigi Boccherini, Jean-François Paillard, Orchestre de chambre Jean-François Paillard made "Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto" available on January 1, 1961. The duration of Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto is about 3 minutes long, at 3:03. Based on our data, "Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 8 Menuets célèbres : Mozart, Boccherini, Exaudet..., so we believe that "Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto" is a single. In terms of popularity, Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto by Luigi Boccherini, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) | Sinfonieorchester Basel | C Major | 2 | 8B | 133 BPM | ||
Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): I. Allegro moderato | Friedrich Grützmacher, Luigi Boccherini, Lynn Harrell, Angeli Ensemble | B♭ Major | 2 | 6B | 117 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Hummelflug, aus der Oper 'Zar Saltan' Op.57 | Nikolai Rimsky-Korsakov, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Minor | 1 | 6A | 85 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Cello Concerto in B-Flat Major, G. 482: III. Rondo: Allegro | Friedrich Grützmacher, Luigi Boccherini, Yuli Turovsky, I Musici de Montréal | B♭ Major | 1 | 6B | 140 BPM | ||
Frühlingslied ("Spring Song") | Felix Mendelssohn, Philippa Davies, Thelma Owen | F Major | 1 | 7B | 83 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 149 BPM |
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