"Cold Mountain, Act II: Act II Scene 5: Your baby sick? (Inman, Sara)" by Jennifer Higdon, Basler Chelsea, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya was released on April 1, 2016. Since Cold Mountain, Act II: Act II Scene 5: Your baby sick? (Inman, Sara) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jennifer Higdon, Nathan Gunn, Isabel Leonard, Jay Hunter Morris, Emily Fons, Miguel Harth-Bedoya's "Higdon: Cold Mountain" album is number 6 out of 31. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Cold Mountain, Act II: Act II Scene 5: Your baby sick? (Inman, Sara)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cold Mountain, Act II: Act II Scene 5: Your baby sick? (Inman, Sara) by Jennifer Higdon, Basler Chelsea, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 4, Op. 25, "Suite": III. Adagietto: Adagio | Alexander von Zemlinsky, Escher String Quartet | E♭ Minor | 0 | 2A | 76 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Farewell | David Del Tredici, Hilary Hahn, Cory Smythe | D Major | 1 | 10B | 81 BPM | ||
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Concerto for Orchestra: V. Fifth movement | Jennifer Higdon, Philadelphia Orchestra, Wolfgang Sawallisch | B♭ Major | 2 | 6B | 147 BPM | ||
HFDBMC | KNOXVILLETRACKZ | C Major | 0 | 8B | 87 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM |
Section: 0.7887730598449707
End: 0.7927107810974121