Jennifer Higdon, Philadelphia Orchestra, Wolfgang Sawallisch's 'Concerto for Orchestra: V. Fifth movement' came out on 2007. Since Concerto for Orchestra: V. Fifth movement is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jennifer Higdon, Philadelphia Orchestra, Wolfgang Sawallisch's "Higdon: Concerto for Orchestra" album is number 5 out of 5. On top of that, United States appears to be the country where this track was created. Based on our statistics, Concerto for Orchestra: V. Fifth movement's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Orchestra: V. Fifth movement by Jennifer Higdon, Philadelphia Orchestra, Wolfgang Sawallisch to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
The White Peacock | Charles Griffes, Buffalo Philharmonic Orchestra, Joann Falletta | B Major | 3 | 1B | 81 BPM | ||
In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy | William Grant Still, Fort Smith Symphony, John Jeter | B♭ Minor | 0 | 3A | 103 BPM | ||
Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Suite for Viola & Small Orchestra: III. Christmas Dance | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 1 | 8B | 89 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Cello Concerto in E Minor, Op. 85: II. Lento – Allegro molto | Edward Elgar, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | E Minor | 2 | 9A | 80 BPM |
Section: 0.6831989288330078
End: 0.6876897811889648