"In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy" by William Grant Still, Fort Smith Symphony, John Jeter was released on March 1, 2005. Since In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Still: Afro-American Symphony". In this album, this song's track order is #1. In terms of popularity, In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy by William Grant Still, Fort Smith Symphony, John Jeter having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Songs Of Separation: I. Idolatry | William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson | D Minor | 1 | 7A | 176 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Hermit Thrush, Op. 92: No. 2, A Hermit Thrush at Morn | Amy Beach, Cecile Licad | D Minor | 0 | 7A | 74 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM |
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