"Songs Of Separation: I. Idolatry" by William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson was released on November 30, 1972. The duration of Songs Of Separation: I. Idolatry is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Songs Of Separation: I. Idolatry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Music Of William Grant Still". In this album, this song's track order is #5. The popularity of Songs Of Separation: I. Idolatry is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs Of Separation: I. Idolatry by William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Symphony No. 1 in A-Flat Major "Afro-American": II. Sorrow. Adagio | William Grant Still, Royal Philharmonic Orchestra, Karl Krueger | F Major | 1 | 7B | 83 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM | ||
Lullaby for Nick | Elena Kats-Chernin, Tamara Anna Cislowska | A Minor | 0 | 8A | 95 BPM | ||
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Evening Song No. 2 | Philip Glass, Timo Andres | F Major | 1 | 7B | 130 BPM |
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