"Catulli Carmina: Actus II: Jucundum mea vita" by Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum was released on January 1, 2002. Since Catulli Carmina: Actus II: Jucundum mea vita is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Catulli Carmina: Actus II: Jucundum mea vita is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Catulli Carmina: Actus II: Jucundum mea vita by Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): XII. Ave, formosissima (Hail to thee, most beautiful) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | E Minor | 2 | 9A | 62 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Giazzotto: Adagio for Strings and Organ in G Minor, "Albinoni's Adagio" (Excerpt, Opening) | Tomaso Albinoni, Ian Watson, English Chamber Orchestra | G Minor | 2 | 6A | 90 BPM | ||
Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 82 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM |
Section: 0.6040115356445312
End: 0.6085536479949951