Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia's 'Verdi: Aïda, Act 2: Triumphal march' came out on October 2, 2015. With Verdi: Aïda, Act 2: Triumphal march being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. The song's track number on the album is #21 out of 51 tracks. In terms of popularity, Verdi: Aïda, Act 2: Triumphal march is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aïda, Act 2: Triumphal march by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aïda, Act 2: Triumphal march being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
Largo aus der "Neuen Welt" / 9. Sinfonie (Largo from The New World) | Antonín Dvořák, Adrian Leaper | B♭ Minor | 0 | 3A | 75 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 2, Allegro tranquillo e grazioso | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | E Major | 1 | 12B | 73 BPM | ||
Leichte Kavallerie: Overture | Franz von Suppé, Munich Radio Orchestra, Ivan Repušić | E Major | 3 | 12B | 128 BPM | ||
Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM |
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