Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker made "Schönfeld-Marsch, Op. 422" available on February 1, 2019. The duration of Schönfeld-Marsch, Op. 422 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Schönfeld-Marsch, Op. 422's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Neujahrskonzert 2019 / New Year's Concert 2019 / Concert du Nouvel An 2019". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Schönfeld-Marsch, Op. 422's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Schönfeld-Marsch, Op. 422 by Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Minor | 1 | 3A | 114 BPM | ||
In lauschiger Nacht, Op. 488 | Carl Michael Ziehrer, Robert Stolz | E♭ Major | 2 | 5B | 180 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Lanner : Steyrische Tänze Op.165 | Joseph Lanner, Nikolaus Harnoncourt, Wiener Philharmoniker | A Major | 0 | 11B | 134 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 101 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Verdi: Aida, Act 2: Marcia trionfale | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 120 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM |
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