"Piano Concerto No. 20 in D Minor, K. 466: II. Romance" by Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1975. Since Piano Concerto No. 20 in D Minor, K. 466: II. Romance is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado's "Mozart: Piano Concertos Nos. 20 & 21" album is number 2 out of 6. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 20 in D Minor, K. 466: II. Romance is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: II. Romance by Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 1 | 5A | 130 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | A♭ Minor | 1 | 1A | 84 BPM | ||
Violin Concerto No. 1 in B-Flat Major, K. 207: 1. Allegro moderato | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | B♭ Major | 2 | 6B | 118 BPM |
Section: 0.6948559284210205
End: 0.6989073753356934