Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery made "Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo" available on October 3, 2011. With Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 50 Best Waltzes & Polkas, so we believe that "Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo" is a single. The popularity of Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo by Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Andris Nelsons, Wiener Philharmoniker | A Major | 1 | 11B | 141 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
I vespri siciliani / Act 3: Le quattro stagioni: 2. La primavera | Giuseppe Verdi, Cleveland Orchestra, Lorin Maazel | E♭ Major | 1 | 5B | 73 BPM | ||
Emperor Waltz | Johann Baptist Strauss II, Westminster Concert Orchestra | C Major | 2 | 8B | 171 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 6, Thème slave varié (Allegretto non troppo - Variations Nos. 1-4 - Allegro non troppo) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | A Major | 2 | 11B | 136 BPM | ||
In lauschiger Nacht, Op. 488 | Carl Michael Ziehrer, Robert Stolz | E♭ Major | 2 | 5B | 180 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 2 | 6B | 128 BPM |
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