Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession)
Henry Purcell, Baroque Brass Of London, David Hill
Purcell: Funeral Sentences
2:23 January 1, 1994
BPM
85
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) - Henry Purcell, Baroque Brass Of London, David Hill Information

Acousticness
84%
Danceability
24%
Energy
18%
Instrumentalness
73%
Liveness
11%
Loudness
60%
Speechiness
3%
Valence
5%
Popularity
Loudness
-23.753 dB

Summary

"Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession)" by Henry Purcell, Baroque Brass Of London, David Hill was released on January 1, 1994. The duration of Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Purcell: Funeral Sentences". In this album, this song's track order is #1. Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) BPM

With Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) by Henry Purcell, Baroque Brass Of London, David Hill having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Borodin - String Quartet No.2 in D major: Notturno: Andante by Alexander Borodin, Borodin QuartetBorodin - String Quartet No.2 in D major: Notturno: AndanteAlexander Borodin, Borodin QuartetA Major211B74 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): I. PréludeGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezG Minor26A114 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
Das Rheingold: Scene II: Einleitung by Richard Wagner, Wolfgang Probst, Motti Kaston, Bernhard Schneider, Robert Kunzli, Michaela Schuster, Helga Ros Indridadottir, Mette Ejsing, Esa Ruuttunen, Eberhard Francesco Lorenz, Roland Bracht, Phillip Ens, Catriona Smith, Maria Theresa Ullrich, Margarete Joswig, Stuttgart State Opera Orchestra, Lothar ZagrosekDas Rheingold: Scene II: EinleitungRichard Wagner, Wolfgang Probst, Motti Kaston, Bernhard Schneider, Robert Kunzli, Michaela Schuster, Helga Ros Indridadottir, Mette Ejsing, Esa Ruuttunen, Eberhard Francesco Lorenz, Roland Bracht, Phillip Ens, Catriona Smith, Maria Theresa Ullrich, Margarete Joswig, Stuttgart State Opera Orchestra, Lothar ZagrosekD♭ Major03B78 BPM
Symphony No. 7 in A major, Op. 92: II. Allegretto by Nicolaus Esterhazy SinfoniaSymphony No. 7 in A major, Op. 92: II. AllegrettoNicolaus Esterhazy SinfoniaE Minor09A143 BPM
The Planets Suite, Op. 32: Jupiter by Gustav Holst, David Parry, London Philharmonic OrchestraThe Planets Suite, Op. 32: JupiterGustav Holst, David Parry, London Philharmonic OrchestraG Minor26A172 BPM
Egmont, Op. 84: Overture in F Minor by Ludwig van Beethoven, David Parry, London Philharmonic OrchestraEgmont, Op. 84: Overture in F MinorLudwig van Beethoven, David Parry, London Philharmonic OrchestraF Minor24A178 BPM
Dido and Aeneas, Z. 626: Overture by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleDido and Aeneas, Z. 626: OvertureHenry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleB Minor210A91 BPM
Má vlast, JB 1:112: II. Vltava, Má vlast, JB 1:112: II. Vltava, "The Moldau"Bedřich Smetana, Gustav Kuhn, Bamberg SymphonyC Major48B128 BPM
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro by Henry Purcell, Alison Balsom, Balsom EnsemblePurcell: Trumpet Sonata in D Major, Z. 850: I. AllegroHenry Purcell, Alison Balsom, Balsom EnsembleD♭ Major33B101 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7130155563354492

End: 0.7212185859680176