On December 20, 2006, the song "Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 2 In B Flat Major: Vivace" was released by Jaap Ter Linden, Mike Fentross, Rémy Baudet, Arcangelo Corelli, Pieter-Jan Belder. With Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 2 In B Flat Major: Vivace being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 30 in Corelli, Complete Works Part: 7 by Jaap Ter Linden. In terms of popularity, Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 2 In B Flat Major: Vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 2 In B Flat Major: Vivace by Jaap Ter Linden, Mike Fentross, Rémy Baudet, Arcangelo Corelli, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | C Major | 1 | 8B | 141 BPM | ||
"Sonate en Quatuor" in A Minor, Op. 17 No. 6: II. Aria Grazioso | Louis-Gabriel Guillemain, Wilbert Hazelzet, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 88 BPM | ||
Sonata In D For Violin And Continuo: Allegro - Adagio - Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 3 | 10B | 92 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Concerto for 3 Violins in D Major, BWV 1064R: I. Allegro | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Linda Melsted, David Greenberg | B Minor | 1 | 10A | 86 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM |
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