Louis-Gabriel Guillemain, Wilbert Hazelzet, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel's '"Sonate en Quatuor" in A Minor, Op. 17 No. 6: II. Aria Grazioso' came out on July 29, 2022. Since "Sonate en Quatuor" in A Minor, Op. 17 No. 6: II. Aria Grazioso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 22 in Conversation Galante by Musica Antiqua Köln, Reinhard Goebel, François-André-Danican Philidor, François Francoeur, Jean-Baptiste Quentin, Louis-Gabriel Guillemain, Marin Marais. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. "Sonate en Quatuor" in A Minor, Op. 17 No. 6: II. Aria Grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Sonate en Quatuor" in A Minor, Op. 17 No. 6: II. Aria Grazioso by Louis-Gabriel Guillemain, Wilbert Hazelzet, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de clavecin en sonates avec accompagnement de violon, Op. 13: I. Allegro | Louis-Gabriel Guillemain, Stéphanie Paulet, Aliquando | D♭ Minor | 1 | 12A | 112 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: II. Vivace e vibrato | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | A♭ Major | 1 | 4B | 145 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Quatrième suite in A Minor: No. 8, La sautillante - Double | Marin Marais, François Joubert-Caillet, L'Achéron | F Major | 1 | 7B | 122 BPM | ||
Canonic Duo No. 4 in D Minor: Piacevole, Non Largo | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
26 Sonatas: No. 6, Violin Sonata in E Minor, B.e1 / GT. 2e01: I. Andante cantabile: Senti lo mare | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: IV. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Sonate No.6 en la mineur: Allegro | Louis-Gabriel Guillemain, Ensemble Les Conversations, Valérie Balssa-Jaffrès, Emmanuel Balssa, Catherine Girard, Blandine Rannou, Alix Verzier | D♭ Minor | 1 | 12A | 140 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
12 Violin Sonatas, Sonata in E Minor, No. 4: II. Viste | Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM |
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