"Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano" by Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown was released on November 1, 1980. With this song being about 5 minutes long, at 5:03, "Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano" by Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Recorder Concertos By Vivaldi, Sammartini, Telemann & Handel". In this album, this song's track order is #5. Based on our statistics, Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano by Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 0 | 8B | 120 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Cello Sonata No. 4, Op. 4: II. Largo | Giovanni Battista Sammartini, Ensemble Dolci Accenti | C Major | 2 | 8B | 184 BPM | ||
Overture (Suite) in D Minor, TWV 55:d3: II. Menuets I and II | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 0 | 6B | 68 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Quartet in G Major: III. Vivace | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM |
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