Domenico Martuzzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra's 'A Gramadora' came out on January 1, 1984. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti, Unknown Orchestra, Henry Mancini's "Mamma" album is number 13 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, A Gramadora is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Gramadora by Domenico Martuzzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vieni Sul Mar! - Remastered | Andrea Bocelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Steven Mercurio | F Major | 3 | 7B | 133 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Dammi i colori ... Recondita armonia from Tosca | Giacomo Puccini, José Carreras, Michael Tilson Thomas | B♭ Minor | 1 | 3A | 112 BPM | ||
Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel | B♭ Major | 3 | 6B | 83 BPM | ||
Gioia | Yusif Eyvazov | G Major | 4 | 9B | 82 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Il Trovatore / Act 3: "Ah sì ben mio" | Giuseppe Verdi, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | A♭ Major | 2 | 4B | 86 BPM | ||
Manon Lescaut: "Donna non vidi mai" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | B♭ Major | 2 | 6B | 83 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM |
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