"Dammi i colori ... Recondita armonia from Tosca" by Giacomo Puccini, José Carreras, Michael Tilson Thomas was released on 1975. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Puccini: Great Opera Arias". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Dammi i colori ... Recondita armonia from Tosca is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dammi i colori ... Recondita armonia from Tosca by Giacomo Puccini, José Carreras, Michael Tilson Thomas having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 82 BPM | ||
Andrea Chénier / Act 3: Nemico della Patria? | Umberto Giordano, Leo Nucci, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | E Minor | 2 | 9A | 72 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Mirella Freni, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | C Minor | 2 | 5A | 90 BPM | ||
Tosca, Act 1: "Recondita armonia" | Zurab Sotkilava | F Major | 3 | 7B | 88 BPM | ||
La Bohème: Act I: Oh! sventata, sventata! | Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sir Georg Solti, London Philharmonic Orchestra | D Minor | 1 | 7A | 92 BPM | ||
Lakmé (1997 Digital Remaster): Où va la jeune indoue (Bell Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Minor | 1 | 11A | 131 BPM | ||
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | E♭ Major | 2 | 5B | 0 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
Section: 0.5884535312652588
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