Mario del Monaco's 'Core 'ngrato' came out on February 24, 1951. The duration of Core 'ngrato is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Core 'ngrato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 9 out of 41. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Core 'ngrato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Core 'ngrato by Mario del Monaco to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello / Act 2: D'un uom che geme sotto il tuo disdegno | Giuseppe Verdi, Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 63 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM | ||
Niun mi tema | Mario del Monaco | E Minor | 1 | 9A | 80 BPM | ||
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | F Major | 3 | 7B | 77 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Roméo et Juliet: Je veux vivre (Act I - Waltz Song) - 1993 Remastered Version | Charles Gounod, Mady Mesple, Choeurs et Orchestre de l'Opéra National de Paris, Jean-Pierre Marty, Orchestre Et Choeurs Du Theatre National | G Major | 1 | 9B | 108 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM |
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