"Einleitung (Tristan und Isolde)" by Paula Buchner, Benno Arnold, Chor Der Staatsoper Berlin, Erich Zimmermann, Ludwig Hofmann, Eugen Fuchs, Jaro Prohaska, Max Lorenz, Margarete Klose, Staatskapelle Berlin, Felix Fleischer was released on August 24, 2006. Einleitung (Tristan und Isolde) appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Tristan und Isolde". In this album, this song's track order is #1. Einleitung (Tristan und Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Einleitung (Tristan und Isolde) by Paula Buchner, Benno Arnold, Chor Der Staatsoper Berlin, Erich Zimmermann, Ludwig Hofmann, Eugen Fuchs, Jaro Prohaska, Max Lorenz, Margarete Klose, Staatskapelle Berlin, Felix Fleischer having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hirtenweise (Tristan und Isolde) | Benno Arnold, Felix Fleischer, Staatskapelle Berlin, Erich Zimmermann, Chor Der Staatsoper Berlin, Eugen Fuchs, Margarete Klose, Max Lorenz, Paula Buchner, Ludwig Hofmann, Jaro Prohaska | D♭ Major | 1 | 3B | 81 BPM | ||
Las Golondrinas, Escena 3ª, I parte: "Es de noche" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Spring Symphony, Op. 44, Part II: Waters Above (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Piange la madre estinta" (Enrico, Lucia, Arturo, Raimondo) | Gaetano Donizetti, Tito Gobbi, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin, Valiano Natali | D Major | 1 | 10B | 169 BPM | ||
Herons Faith | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Teil 5 - Folge 12: Stimmen aus dem Jenseits | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt | A♭ Major | 2 | 4B | 84 BPM |
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