Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt's 'Teil 5 - Folge 12: Stimmen aus dem Jenseits' came out on March 6, 2015. The duration of Teil 5 - Folge 12: Stimmen aus dem Jenseits is about 3 minutes long, at 3:07. Based on our data, "Teil 5 - Folge 12: Stimmen aus dem Jenseits" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 20 in Folge 12: Stimmen aus dem Jenseits by Professor van Dusen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Teil 5 - Folge 12: Stimmen aus dem Jenseits is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Teil 5 - Folge 12: Stimmen aus dem Jenseits by Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquette y Claudio / Plaza de la Greve / Aparición de Esmeralda / Tentación de Claudio / Rapto de Esmeralda | Angel Mahler, Pepe Cibrián Campoy | E Minor | 4 | 9A | 80 BPM | ||
Four Last Songs, TrV 296: I. Frühling | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
und der Zauberspiegel - Einladung für Albert Hitfield - Teil 03 | Die drei ???, Jürgen Thormann | C Major | 5 | 8B | 93 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | D Major | 0 | 10B | 73 BPM | ||
Lucia di Lammermoor, Act II: Il pallor, funesto, orrendo | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | E Minor | 2 | 9A | 114 BPM | ||
Teil 2 - Folge 8: Wettbewerb der Detektive | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Rolf Marnitz, Lothar Blumhagen, Rudi Schmitt, Krikor Melikyan, Heinz Spitzner, Alexander Herzog | D♭ Major | 3 | 3B | 65 BPM | ||
und der Zauberspiegel - Einladung für Albert Hitfield - Teil 01 | Die drei ???, Jürgen Thormann | A♭ Major | 3 | 4B | 102 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | ||
Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" | Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 79 BPM |
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