"Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger"" by Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur was released on January 1, 1987. With Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Gundula Janowitz, Rosemarie Lang, Hans Peter Blochwitz, Theo Adam, Gothart Stier, MDR Leipzig Radio Chorus, Jörg Peter Weigle, GewandhausKinderchor, Ekkehard Schreiber, Gewandhausorchester, Kurt Masur's "Mendelssohn: Paulus" album is number 19 out of 41. On top of that, Netherlands appears to be the country where this track was created. Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" by Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM |
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