"Four Last Songs, TrV 296: I. Frühling" by Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France was released on February 9, 2024. The duration of Four Last Songs, TrV 296: I. Frühling is about 3 minutes long, at 3:18. Based on our data, "Four Last Songs, TrV 296: I. Frühling" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Strauss, Asmik Grigorian's "Laws of Solitude. Strauss: Four Last Songs" album is number 1 out of 8. On top of that, France appears to be the country where this track was created. Four Last Songs, TrV 296: I. Frühling is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Last Songs, TrV 296: I. Frühling by Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Roméo et Juliette, CG 9, Act 5 Scene 2: "Console-toi, pauvre âme" (Roméo, Juliette) | Charles Gounod, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | A♭ Major | 1 | 4B | 79 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Er überwächst uns schon | Gustav Mahler, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 2 | 10B | 117 BPM | ||
Messa di Gloria: I. Kyrie | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | B Minor | 6 | 10A | 129 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 134 BPM | ||
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM |
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