"Hirtenweise (Tristan und Isolde)" by Benno Arnold, Felix Fleischer, Staatskapelle Berlin, Erich Zimmermann, Chor Der Staatsoper Berlin, Eugen Fuchs, Margarete Klose, Max Lorenz, Paula Buchner, Ludwig Hofmann, Jaro Prohaska was released on August 24, 2006. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Tristan und Isolde". In this album, this song's track order is #20. Hirtenweise (Tristan und Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hirtenweise (Tristan und Isolde) by Benno Arnold, Felix Fleischer, Staatskapelle Berlin, Erich Zimmermann, Chor Der Staatsoper Berlin, Eugen Fuchs, Margarete Klose, Max Lorenz, Paula Buchner, Ludwig Hofmann, Jaro Prohaska having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 89 BPM | ||
Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan | E♭ Major | 0 | 5B | 111 BPM | ||
Desires of the Faithful | New Kings Of Sonic | B♭ Major | 2 | 6B | 100 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": II. Purgatorio: Poco a poco piu di molto - | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | E Minor | 7 | 9A | 125 BPM | ||
Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | G Minor | 2 | 6A | 80 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
How pleased we are | Peter Deunov, Monte-Carlo Philharmonic Orchestra | E Major | 4 | 12B | 97 BPM | ||
Eine kleine Nachtmusik, K. 525: I. Allegro (From "Amadeus" & "The Witches of Eastwick") | Wolfgang Amadeus Mozart, Cincinnati Pops Orchestra, Erich Kunzel | G Major | 0 | 9B | 128 BPM |
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