Alberto Lizzio, South German Philharmonic Orchestra's 'Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo)' came out on July 1, 1996. With this song being about 5 minutes long, at 4:44, "Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo)" by Alberto Lizzio, South German Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 6 in Berlioz - Symphony Fantastique by Alberto Lizzio, Radio Symphony Orchestra Ljubljana, Anton Nanut, South German Philharmonic Orchestra. Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo) by Alberto Lizzio, South German Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Bright day | Alejandro Llovet Abascal | C Major | 1 | 8B | 120 BPM | ||
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Menuet | I Musici Di San Marco, Alberto Lizzio | F Major | 2 | 7B | 81 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 143 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma" (Instrumental Version, Arr. Pryce Jackman) | Giacomo Puccini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
The Seasons, Op. 67 Pt. 4 "L'automne": No. 16, Variation du satyre - No. 17, Coda générale | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Symphony No.4 3rd Movement | South German Philharmonic Orchestra | D Minor | 1 | 7A | 121 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Cinderella, Op. 87, Act I: Introduction | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | C Major | 2 | 8B | 127 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM |
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