"Gianni Schicchi: "Oh! mio babbino caro"" by Giacomo Puccini, Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli was released on January 1, 1993. The duration of Gianni Schicchi: "Oh! mio babbino caro" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Gianni Schicchi: "Oh! mio babbino caro"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Renata Tebaldi's "Grandi Voci: Renata Tebaldi" album is number 8 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Gianni Schicchi: "Oh! mio babbino caro" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gianni Schicchi: "Oh! mio babbino caro" by Giacomo Puccini, Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, SC 91: Nessun dorma | Giacomo Puccini, Piotr Beczala, Orquestra de la Comunitat Valenciana, Unknown Artist, Marco Boemi | D Major | 2 | 10B | 82 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Fiordiligi, Dorabella and Don Alfonso's Trio (Soave sia il vento) from Così fan tutte | Wolfgang Amadeus Mozart, Walter Weller, London Philharmonic Orchestra, Diana Montague, Orla Boylan, Alan Opie | E Major | 1 | 12B | 87 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM |
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