"Samson et Dalila (2001 Digital Remaster), Act 2, Scene 3: Mon coeur s'ouvre à ta voix (Dalila/Samson)" by Rita Gorr, Georges Prêtre, Orchestre de l'Opéra National de Paris, Jon Vickers was released on 2004. With this song being about 5 minutes long, at 5:17, "Samson et Dalila (2001 Digital Remaster), Act 2, Scene 3: Mon coeur s'ouvre à ta voix (Dalila/Samson)" by Rita Gorr, Georges Prêtre, Orchestre de l'Opéra National de Paris, Jon Vickers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Opera Classics, so we believe that "Samson et Dalila (2001 Digital Remaster), Act 2, Scene 3: Mon coeur s'ouvre à ta voix (Dalila/Samson)" is a single. Samson et Dalila (2001 Digital Remaster), Act 2, Scene 3: Mon coeur s'ouvre à ta voix (Dalila/Samson) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Samson et Dalila (2001 Digital Remaster), Act 2, Scene 3: Mon coeur s'ouvre à ta voix (Dalila/Samson) by Rita Gorr, Georges Prêtre, Orchestre de l'Opéra National de Paris, Jon Vickers is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Roberto Devereux: Nunzio son del Parlamento!... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM | ||
Médée: Du trouble affreux qui me dévore | Luigi Cherubini, Rita Gorr, Georges Prêtre, Orchestre du théatre national de l'opera | C Major | 2 | 8B | 84 BPM | ||
Rigoletto, Act II: Schiudete... Ire al carcere Monteron dee | Giuseppe Verdi, Liudas Mikalauskas, Kostas Smoriginas, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | ||
Romeo and Juliette, Act I: Allons! Jeunes gens! Allons! Belles dames! | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Lohengrin, WWV 75: Act II: Euch Lüften, die mein Klagen | Richard Wagner, Lucine Amara, William Dooley, Rita Gorr, Erich Leinsdorf | G Major | 1 | 9B | 78 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) | Camille Saint-Saëns, Georges Prêtre, Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l'Opéra de Paris | B♭ Minor | 3 | 3A | 105 BPM | ||
Les Contes d'Hoffmann / Act 1: Simple échange de politesses! | Jacques Offenbach, Claudia Eder, Plácido Domingo, Andreas Schmidt, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | B Major | 1 | 1B | 89 BPM | ||
Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Major | 2 | 7B | 85 BPM | ||
Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 3 | 9B | 75 BPM |
Section: 0.750762939453125
End: 0.7560000419616699