"Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia)" by Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado was released on January 1, 1977. Since Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Simon Boccanegra by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #11 out of 29 tracks. Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) by Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | ||
Manon Lescaut / Act 2: Poichè tu vuoi saper? | Giacomo Puccini, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 76 BPM | ||
Macbeth / Act IV: Inno di Vittoria - Finale: "Vittoria!" | Giuseppe Verdi, Antonio Savastano, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 1 | 7B | 110 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 172 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Ah! bello a me ritorna (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 2 | 7B | 128 BPM | ||
Don Pasquale, Act I Quarta Scena: 'Quel guardo il cavaliere' (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 111 BPM | ||
L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 2: Oh! rimembranza! (Norma/Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 2 | 7B | 170 BPM | ||
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM |
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