Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) - Camille Saint-Saëns, Georges Prêtre, Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l'Opéra de Paris Information

"Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson)" by Camille Saint-Saëns, Georges Prêtre, Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l'Opéra de Paris was released on January 1, 1963. The duration of Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Saint-Saëns: Samson et Dalila, Op. 47". In this album, this song's track order is #26. Furthermore, we believe that the track originated from France. In terms of popularity, Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) BPM

With Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) by Camille Saint-Saëns, Georges Prêtre, Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l'Opéra de Paris having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) Key

B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.