Luigi Cherubini, Rita Gorr, Georges Prêtre, Orchestre du théatre national de l'opera's 'Médée: Du trouble affreux qui me dévore' came out on July 15, 2014. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Rita Gorr Sings French Opera". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Switzerland. Médée: Du trouble affreux qui me dévore is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Médée: Du trouble affreux qui me dévore by Luigi Cherubini, Rita Gorr, Georges Prêtre, Orchestre du théatre national de l'opera having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: I. Introitus & Kyrie | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | F Major | 0 | 7B | 74 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, Praise the Lord, Ye Voices All! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Margaret Lias, Harry Christophers | B♭ Major | 5 | 6B | 114 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Grande Messe des Morts: XVI. Sequentia: Judicandus - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | B♭ Major | 1 | 6B | 113 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM |
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