"MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh'" by Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Erna Berger/Frauenchor Der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker was released on April 5, 2013. The duration of MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh' is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Puccini: Madame Butterfly". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh' is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh' by Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Erna Berger/Frauenchor Der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM | ||
Madame Butterfly - Grosser Querschnitt: Mädchen, in deinen Augen liegt ein Zauber | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Turandot / Act 3: "Del primo pianto...Più grande vittoria non voler" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 85 BPM | ||
Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! | Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 98 BPM | ||
E lucevan le stelle from Tosca | Giacomo Puccini, José Carreras, Michael Tilson Thomas | B♭ Minor | 1 | 3A | 112 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM |
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