- BPM
- 137
- Key
- F Major
- Camelot
- 7B
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track - Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch Information
- Acousticness
- 88%
- Danceability
- 44%
- Energy
- 31%
- Instrumentalness
- 29%
- Liveness
- 31%
- Loudness
- 74%
- Speechiness
- 6%
- Valence
- 63%
- Popularity
- 27%
- Loudness
- -15.731 dB
Summary
Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch made "La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track" available on October 6, 2017. The duration of La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Saint-Saëns, Offenbach". In this album, this song's track order is #14. Based on our statistics, La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track BPM
With La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track by Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM | |
 | Adieux de l'hôtesse arabe | Georges Bizet, Cecilia Bartoli, Myung-Whun Chung | A Minor | 1 | 8A | 145 BPM | |
 | Il mistero | Giuseppe Verdi, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 2 | 4B | 105 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | |
 | La Bohème / Act 3: "Mimì è una civetta" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 3 | 7B | 171 BPM | |
 | Luisa Miller / Act 2: L'ara, o l'avello apprestami | Giuseppe Verdi, Rolando Villazón, Gianluca Alfano, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari, Coro Di Milano Giuseppe Verdi | B♭ Major | 3 | 6B | 78 BPM | |
 | 24 Preludes for Cello and Piano, Op. 47: Prelude No. 15 (Allegro con brio) | Lera Auerbach, Camille Thomas, Beatrice Berrut | F Minor | 2 | 4A | 133 BPM | |
 | Poème de l'amour et de la mer, Op. 19: II. La mort de l'amour | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | C Minor | 1 | 5A | 86 BPM | |
 | Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | |
| Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6305897235870361
End: 0.6369264125823975