Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn's 'Carmina Burana / 3. Cour d'amours: "In trutina"' came out on January 1, 1994. The duration of Carmina Burana / 3. Cour d'amours: "In trutina" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "In trutina"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / 3. Cour d'amours: "In trutina"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 3. Cour d'amours: "In trutina" by Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Pur dicesti, o bocca bella | Antonio Lotti, Cecilia Bartoli, György Fischer | D Major | 0 | 10B | 97 BPM | ||
Morgen! Op. 27, No. 4 | Richard Strauss, Joshua Bell, Michael Stern | G Major | 1 | 9B | 93 BPM | ||
Elgar: Sea Pictures, Op. 37: I. Sea Slumber-Song, "Sea-birds are asleep" (Andantino) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 78 BPM | ||
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | C Major | 3 | 8B | 74 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 5 | 5B | 61 BPM |
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