John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary's 'Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine)' came out on January 3, 2012. With Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 18 in Florida Music Educators Association 2011 In-Service Clinic Conference and All-State Concerts - All-State Concert Band / All State Symphonic Band by Florida All-State Concert Band, John Carmichael, Richard Clary. Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) by John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slava! | Leonard Bernstein, Dallas Wind Symphony, Frederick Fennell | C Minor | 3 | 5A | 146 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: I. March "Morris Dance" | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | F Major | 1 | 7B | 118 BPM | ||
Symphonic Suite: II. Chorale | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 0 | 4B | 74 BPM | ||
3 Preludes (Arr. J. Krance & N. Williams for Wind Ensemble): No. 1 in B-Flat Major: Allegro ben ritmato e deciso | John Krance, George Gershwin, Nicholas Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 82 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 1 | 8A | 107 BPM | ||
Suite française : V. Provence | Gérard Besse, Big Band des équipages de la flotte de Toulon, Denis Fourio | G Major | 2 | 9B | 134 BPM | ||
Bookmarks from Japan: I. Mount Fuji | Julie Giroux, University of North Texas Symphonic Band, Alan C. Sierichs | E♭ Major | 3 | 5B | 73 BPM | ||
Valdres March | Johannes Hanssen, Eastman Wind Ensemble, Frederick Fennell | A♭ Major | 5 | 4B | 97 BPM | ||
Yiddish Dances: I. Khosidl. Andante | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | F Minor | 1 | 4A | 121 BPM | ||
T-bone Concerto: II. Medium | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | F Major | 1 | 7B | 86 BPM |
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