Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra made "Second Suite for Military Band, Op. 28 No. 2: I. March "Morris Dance"" available on January 1, 1999. With this song being about 5 minutes long, at 4:38, "Second Suite for Military Band, Op. 28 No. 2: I. March "Morris Dance"" by Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 16 in British Wind Band Classics by Timothy Reynish, Royal Northern College Of Music Wind Orchestra. In terms of popularity, Second Suite for Military Band, Op. 28 No. 2: I. March "Morris Dance" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Second Suite for Military Band, Op. 28 No. 2: I. March "Morris Dance" by Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
Vivaldi: Violin Concerto in F Minor, RV 297 "L'inverno" (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8): III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Minor | 2 | 4A | 95 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM |
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