"Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante" by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan was released on January 1, 2003. The duration of Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz's "Mahler: Symphony No. 2" album is number 28 out of 42. Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Messa da Requiem: 2a. Dies irae | Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | C Minor | 4 | 5A | 88 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Requiem in B-Flat Minor, Op. 89, B. 165: I. Requiem aeternam | Antonín Dvořák, Gabriela Beňačková, Brigitte Fassbaender, Thomas Moser, Jan-Hendrik Rootering, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Wolfgang Sawallisch, Lubomir Matl | B♭ Minor | 1 | 3A | 121 BPM | ||
The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Minor | 0 | 4A | 88 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | G Minor | 1 | 6A | 141 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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