"Iv" by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares was released on February 22, 2000. The duration of Iv is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Iv's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilson: Symphony No. 1; Viola Sonata; Tribulations; Gnomics by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares. The song's track number on the album is #16 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Iv is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Iv by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Iv being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
5 Pieces for Orchestra, Op.16: 3. Farben | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | F Major | 0 | 7B | 71 BPM | ||
Concerto for Piano and Orchestra, Op. 42: I. Andante | Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre Boulez | C Major | 2 | 8B | 180 BPM | ||
Action | Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra | D Major | 3 | 10B | 132 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin | A Major | 3 | 11B | 81 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | ||
The Shadow of Sirius: I. The Nomad Flute | Joel Puckett, Marianne Gedigian, University of Texas Wind Ensemble, Jerry Junkin | A♭ Major | 0 | 4B | 66 BPM | ||
Mythes, Trois Poèmes, Op. 30: 2. Narcisse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A Minor | 0 | 8A | 75 BPM |
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