Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra made "Action" available on February 22, 2000. With this song being about 5 minutes long, at 4:44, "Action" by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wilson: Symphony No. 1; Viola Sonata; Tribulations; Gnomics by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares. The song's track number on the album is #2 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Action's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Action by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Action being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: IV. Third Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Variations on a theme of Paganini: Var. 14. Alla giga | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Goetia: V. — | John Zorn, Jennifer Koh | G Major | 0 | 9B | 0 BPM | ||
Three Miniatures for Solo Violin: II. A Canon for Sally | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
The End of Dracula | Philip Glass, Kronos Quartet | F Major | 2 | 7B | 84 BPM |
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