"Ave Maria" by Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin was released on 1992. The duration of Ave Maria is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Yo-Yo Ma, Bobby McFerrin's "Hush" album is number 10 out of 13. On top of that, United States appears to be the country where this track was created. Ave Maria is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 80 BPM | ||
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
3 Pieces in Baroque Style: No. 1. Aria | Krzysztof Penderecki, Sinfonia Varsovia | B♭ Major | 0 | 6B | 76 BPM | ||
Goin' Home | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | D♭ Major | 0 | 3B | 81 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Fratres (Version for Cello & Piano) | Arvo Pärt, France Springuel, Mireille Gleizes | B♭ Minor | 1 | 3A | 83 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Minor | 1 | 5A | 75 BPM | ||
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
Trio in E-Flat Major, Op. 100, D. 929: II. Andante con moto | Ralph Holmes | C Minor | 0 | 5A | 70 BPM | ||
Postcards from the Sky: I. Unfolding Sky | Marjan Mozetich, CBC Vancouver Orchestra, Mario Bernardi | F Major | 0 | 7B | 103 BPM |
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