"Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt" by Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato was released on October 13, 2022. With this song being about 5 minutes long, at 5:07, "Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt" by Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 43 out of 50 in Delibes - Inspiring Composers by Léo Delibes. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt by Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 1 | 7A | 105 BPM | ||
Rinaldo, HWV 7, Act II, Scene 4: Aria "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Derek Lee Ragin | E Major | 1 | 12B | 106 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
Gnossiennes: I. Lent | Erik Satie, Frank Glazer | B♭ Minor | 0 | 3A | 70 BPM | ||
Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | B♭ Minor | 1 | 3A | 121 BPM | ||
La Bohème / Act 4: "Sono andati" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 1 | 7B | 75 BPM | ||
Madame Butterfly, Act 2: "Un bel di vedremo" | Maria Callas | D♭ Major | 1 | 3B | 169 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM |
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