"Stabat Mater: 12. Quando corpus - Amen" by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado was released on January 1, 1985. With this song being about 5 minutes long, at 4:57, "Stabat Mater: 12. Quando corpus - Amen" by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #12. Based on our statistics, Stabat Mater: 12. Quando corpus - Amen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 12. Quando corpus - Amen by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8a Freudenlied, mit abwechselndem Chor der Jugend - "O wie lieblich" | Joseph Haydn, Sir Colin Davis, Andrew Foster-Williams, London Symphony Orchestra, Jeremy Ovenden, Miah Persson | D Major | 1 | 10B | 72 BPM | ||
Miserere in C minor: Misere I | Thomas Hengelbrock | B Minor | 2 | 10A | 94 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Les Troyens / Act 5: No.38 Chanson d'Hylas: "Vallon sonore" | Hector Berlioz, Ryland Davies, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A♭ Major | 1 | 4B | 81 BPM | ||
Going Hunting | George Fenton, Leslie Pearson | A♭ Minor | 2 | 1A | 99 BPM | ||
St. Matthew Passion, BWV 244: No. 39 Arie (Alt): Erbarme dich, mein Gott | Johann Sebastian Bach, Istvan Gati, Peter Koves, Agnes Mester, Jozsef Mukk, Judit Nemeth, Janos Remenyi, Ibolya Verebics, Hungarian Festival Chorus, Hungarian Radio Children's Choir, Hungarian State Symphony Orchestra, Géza Oberfrank | C Minor | 2 | 5A | 65 BPM | ||
Requiem, Introitus: Requiem æternam | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Schola Gregoriana Ghislieri, Renato Cadel | E♭ Major | 0 | 5B | 114 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM |
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