"Rinaldo, HWV 7, Act II, Scene 4: Aria "Lascia ch'io pianga" (Almirena)" by George Frideric Handel, Derek Lee Ragin was released on 2007. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Rinaldo, HWV 7, Act II, Scene 4: Aria "Lascia ch'io pianga" (Almirena) only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Rinaldo, HWV 7, Act II, Scene 4: Aria "Lascia ch'io pianga" (Almirena) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rinaldo, HWV 7, Act II, Scene 4: Aria "Lascia ch'io pianga" (Almirena) by George Frideric Handel, Derek Lee Ragin having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) | Philippe Jaroussky | F♯ Minor | 1 | 11A | 99 BPM | ||
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |
Section: 0.8046369552612305
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